Anyway, we were invited to UWE to take part in a Rapid Prototyping 2day workshop (much like our week long version) to help brush up on skills and solve a question plaguing the music industry. “How do we re-erect flacid music industry sales with a ubiquitous sexy product? Something physical to aid the declining CD and LP record sales.”

Not an easy question, but all the groups worked tirelessly to try and fathom a solution. The event was an ace mix of people; artists, engineers, script writers, technologists, students and research scientists.

I was lucky enough to be involved with an orgy of very clever minds from HP R&D, The Pervasive Media studio and UWE.

Our idea was to create a new market and intentionally stimulate interest in an album before it was even completed. Using some expensive Remote Studio Headphones which tune into the band’s recording studio sporadically. Super fans would to listen to new riffs, bouncing jams, banter and sparky live sets. It was called Gold Jack, see our mascot below.

Gold Jack mascot

To visualise that for a pitch, it was in all a proper dirty experience. With 3D printers burning through litres of plaster, post-its being slammed un-ceremonisasly to most surfaces and all interspersed with a lot of heated USP chats!

Post its

The workshop finished with all groups pitching to Seth from PIAS music and showcased some very beautiful ideas, like the “Music Vault”, engineered to capture memories and “dieTunes”, music only released when the artist had popped their clogs.

dieTunes

Thought Den value these training workshops very highly, it keeps the directors on their toes, tickles their digital gray cells and allows blind exploration into new business opportunities for all our clients.

Thanks UWE and Pervasive Media Studio for a very well organised 2 days.

Sex. (just felt like I needed to write the word after that post)

A common problem facing many of the studio residents is how to pitch their wares to commioners who might not be as technically au fait with the sort of work coming out of the studio. The ethos in the studio is to collaborate, explore and innovate and at times we risk isolating ourselves clients who are looking for more mainstream solutions. The T-Mobile campaign is a great example – swathes of the creative community sneered at the Liverpool St Station dance-off because Flash-mobs were so 5 years ago , but the general public absolutely loved it! And T-Mobile’s Trafalgar Sqr singalong sequel is again doing well on You Tube. So we looked at ways to take a step back from the cutting edge to make our work more accessible, along with what metrics might be relevant to demonstrate the success of our work. For residents like Simon Games and AntiVJ it can be a real challenge representing the success of a project because more often than not they’re dealing with a more profound emotional engagement than a simple page impression. These issues are far from solved but the debate is beginning…

The sexy awards night showcases the best in the South West’s talent through a wide spectrum of Media categories.

I found some of the best pieces were, Scayrecrow a dark and twisted animation that scared the cr*p out of me in the screening.

Moose Hunt, which let loose ripples of giggling from all tables as Simon from Simon Games meandered through the New forest with nothing but a moose costume on….

Finally, we were honored to be the guests for the University of the West of England‘s table, red-wine included. It’s was very warming to see all their School of Art, Media and Design staff talking so passionately about their job roles. Lots of chatting about how they’re making their MA the best, discussions about maximizing students employability and the direction of their courses. Even better however is how much fun they all are, comments about ‘interesting’ Satin dresses, the 2 course Dean and school photos… What goes on tour, stays on tour.

Let’s see what Thought Den can win on their own next year!